“I’m egregiously picky,” insists Dylan O’Brien, reflecting on a burst of productivity that, in the last 12 months, includes the films “Ponyboi,” “Saturday Night,” “Caddo Lake,” the Max comedy series “Fantasmas” and James Sweeney’s “Twinless,” which screens at Sundance. “I’m going to get skewered for this type of quote being out there … but I would have a much different career, I think, if I was a ‘yes to everything’ person.”
After launching his career more than a decade ago as a heartthrob on MTV’s “Teen Wolf” and in the “Maze Runner” films, each of those recent projects earned the actor praise for his versatility; no two roles are the same. But according to O’Brien, his recent slate reflects not just one year of work but more than five — a period that also encompasses guest spots (as “himself”) on “Curb Your Enthusiasm” and “The Other Two,” four more features and “All Too Well,” a short film directed by Taylor Swift.
His run of projects actually started back in 2019 after reading “Twinless.” In the film, which earned Sweeney a spot on Variety’s 2025 Directors to Watch, he plays twin brothers Roman and Rocky, with the former bonding with a fellow support group member (played by Sweeney) after the latter dies unexpectedly. Even facing the challenge of dual parts — one is straight, one is gay — the actor says that Sweeney’s writing gave him exactly the kind of charge that tells him to get on board a project.
“When I read something, it’s like I can hear the guy’s voice or I can’t,” O’Brien says. “And from the second I picked up the script, I was just like, ‘Roman is in me.’ I know this guy. And then when I get to Rocky, I had an instinct for him too.”
He remembers that it was his transformation into the introspective Roman, who, like O’Brien, is straight, that most surprised Sweeney. “My Roman voice, I got self-conscious about it immediately because he pointed it out,” he says. “But that’s how I was processing the weight of the very sheltered life he had experienced until that point, and then the tragedy that he experienced — and that’s what the fuck came out. [James] was like, ‘I love it.’”
Meanwhile, in order to play Rocky — authentically, but never stereotypically — O’Brien says the pair implemented a “gay scale” on set that Sweeney (who is gay) would dial up or down. “Most of the time, he’d be like, ‘You were too straight on that,’” he recalls with a laugh. “I was happy for that permission … a sign of a great filmmaker is to always give you the permission to go into a direction or not.”
The believability of both performances — like the others released before it — evidence a centeredness that O’Brien attributes to his increasing capacity for identifying nurturing, creative environments. “By that I mean your filmmaker, the piece in and of itself and the confidence you feel in it,” he says. “A helpful tool to either have or try to develop is to be able to identify whether you’re in safe hands or not.”
Though he admits that being in a music video is a “space that makes me really uncomfortable,” O’Brien indicated that two of those safe hands belonged to Taylor Swift, who in 2021 enlisted him to play the male lead in “All Too Well.” “For that to be her first time directing, Taylor had the absolute right instinct to be like, ‘I hired these actors because I am a fan of the work that they’ve done, and I’m going to let them come in and do that work’,” he says. “I loved what she was trying to tell with that. And I fully felt like I understood my role in it, and that excited me.”
Indicating he’s finally “being able to operate with choice,” the actor says his future plans include a reunion with Sweeney (“James and I are definitely going to partner up again on something”) and, he hopes, a distribution deal for “Ponyboi,” which first premiered at Sundance in 2024. “I’m very fortunate to be in some kind of position to pick these projects that I feel really drawn to and inspired by — and I have in me,” he says.
“These choices that I’ve been making, that you’ve seen in this past year, identify with what I want to be doing,” O’Brien adds. “It’s not like I don’t identify with my role on ‘Teen Wolf’ or the ‘Maze Runner’ movies. Those were my building blocks. But it doesn’t tell the whole story of who I am as a creative person.”